Monday, July 28, 2014

Anise Jacket (and bonus Papercut Pleated Pants)

About 14 months ago, I started an Anise Jacket. I muslined it, bought the wool/cashmere fabric, silk lining, thread, interfacing etc. I started sewing and trialled bound buttonholes on scraps (my fabric was far too thick for bound buttonholes - at least at my skill level). I decided I'd get do something else with the buttonholes. I basically sewed the jacket to the point of buttonholes and buttons. I put it on my dressmaker's form and admired it for the next 12 months. That's right. I didn't touch it for 12 more months until I decided it was cold, and I needed jackets.

I investigated getting the buttonholes done professionally. There is one person in Melbourne who offers that service that I could find, and I was informed by someone who is 'in the know' that that person has been known to completely ruin garments people have paid them to sew buttonholes in. That meant one thing only.... I would have to sew these buttonholes myself.

Cue a few sleepless nights (joking... sort of), me reading every internet resource available, talking to Kate at Buttonmania (and buying required resources for hand stitched buttonholes), and obsessive reading of Claire Schaeffer's Couture Sewing Techniques. I then started them. Only to absolutely hate my first four attempts. Let me tell you, unpicking silk thread on a very thick wool/cashmere is not fun at all. I may have had a small hissy fit. I left them for about a month. And then picked everything up again, wore a small running head torch on my head (doing fine stitches on that bloody wool/cashmere was really, really hard to focus on) and got them done.

I now have an Anise jacket that has been serving me well on these cold Melbourne days.


The fabrics were purchased from Darn Cheap Fabrics. They actually have a very nice selection of wool coatings. This is a wool cashmere blend and was only $20/m. The colour is lush.


I really like the 60's vibe this jacket gives off.


Awesome silk lining. I am slightly obsessed with silk as a lining.


Back view. If I knew what I did now when sewing this, I would have adjusted that under collar piece to account for turn of cloth. Ah well, you live and learn.



The buttonholes. They're not perfect, but they're okay. Liveable. The buttons came from Clegs.

I did not keep notes around making this jacket. The only adjustment I remember doing was to take some out of the CB. Apart from that, I made a size 8. Other things I would do in the future is to add in a sleeve head piece, maybe use a slim shoulder pad, and investigate why there are odd wrinkles coming down from the top of the sleeve (I have seen this on every Anise made - something weird with the pattern?).

My Anise was an odd make, mostly due to the extremely disjointed sewing process, but I enjoy wearing it now. I receive compliments every time I wear it - I think mostly due to the lovely colour. I don't think I'll make it again though. It is a fun jacket, but not a style I am totally gaga in love with.

Speaking of being gaga in love, meet my new Papercut Pleated Pants. I won't bore you with the details of these, seeing as I have made them before, but I absolutely love these. They're made from a black viscose-blend suiting remnant I got from Tessuti, and they are my perfect pants. Slightly slouchy, they sit at the perfect point on my waist, are very comfortable and look awesome with my patent brogues. I'm so glad I revisited this pattern, and will be making more.


I better get back to the Bellatrix Blazer I'm making for a special event coming up though - what are you making at the moment?

Sunday, July 6, 2014

French Noir Deux Libby Skirt

What came first - the pattern or the fabric? For me, the fabric - French Noir Deux - a stretch cotton from Tessuti came first. I went into Tessuti and nearly bought it for pants. Then I thought it had too much give for pants and that they would bag out. I went back about 2 weeks later and bought it to make the new free Tessuti pattern, the Libby A-Line Skirt.


I wore it out last weekend to a Japanese bath house and then to a Japanese restaurant for dinner with friends. So... no makeup (can't wear makeup when you're going for a cleansing soak!) - I feel odd looking at blog photos of me with no makeup!

Anyway, back to the fabric for a second. It is a heavy-ish weight stretch cotton. Almost like a denim with a lot of stretch. It has the pattern kind of embossed on it - this is a hand-wash only garment for fear of wearing off the pattern. I absolutely adore this fabric. I was thinking about getting some for a jacket...


The Libby A-Line Skirt is very simple to make. It has waist facings - no waistband. This to me, is much better than an A-Line skirt with a waistband. I could never figure out why I don't like the Colette Patterns Ginger Skirt, and now I know why. The waistband made my tummy pooch out below it. It wasn't comfy or flattering. This is much better. I also like how this looks with a shirt tucked out - I never wear my shirt tucked in anymore.


I made the size 8. I tried on the size 10 in the Tessuti store and it fit perfectly, but this fabric has a lot of stretch so I sized down. I made it in the mid-length - it is probably more in line with the mini length, but I am tall. I am finding that as I get older my skirt lengths get waaaay shorter. Wonder what that is about??!!

The skirt came together in a few hours, including hand-stitching the hem. It is very simple. Has a side invisible zip. I'll be making more. Definitely be making more. How about you? Are you going to give it a go?

Friday, June 20, 2014

My True Bias Hudson Pants

This week Kelli from True Bias released her first pattern - the Hudson Pant. I was lucky enough to be asked by Kelli to pattern test this pattern, so have actually been wearing these pants every day for a couple of weeks now. Yep, every day.


To me, these pants are super cool tracksuit pants. I have one pair of old-school Adidas tracksuit pants, and they never see the light of day. Michael would possibly divorce me if I wore them outside the house (hehehe). But these, the Hudson Pant, have been outside, to the park, to the supermarket, round to a friend's house and everything in between.


Now, these are my pattern testing pair. I haven't sewn up the final pattern (yet), but Kelli has told us she made the following changes to the FIT of the pants, according to tester feedback:
  1. added extra room to the calves and ankle cuff for a bit more comfort and ease (Kelli says that she doesn't honestly think that it is enough that you will notice in pictures, but that we will feel the difference.) 
  2. changed the way that the pocket detail is attached to the pant.  It is now a smidge smaller than the area it is attached to so that when stretching to fit it will lay a bit flatter against your hip.
So the final pattern will not fit exactly as these do, but I love these so much I really wanted to blog them. Kelli was fine about that. 

I whipped up a quick muslin of the testing pattern and found I need to lengthen the pattern through the leg by 7.5cm, and the front and back crotch by 2.5cm each. Kelli has drafted the pattern for a 5'5" woman, and I'm 5'8", so this was as I had expected. 


Some details. Including the fact that I did not stitch that bottom line of top-stitching very evenly! Whoops. 

My fabric came from Tessuti. The patterned fabric is a lightweight ponte, and the black contrasting fabric is a soft, medium weight ponte. Unfortunately the patterned stuff has pilled a bit. 

There's been a bit going on in blogland recently regarding pattern testing. To let you know, I wasn't paid to test (apart from receiving the final pattern for free), I was asked to test within a two week time-frame, Kelli was extremely receptive to feedback, and I loved doing it. I don't know how she selected her pattern testers - my guess for why I asked is that we did the Sew Bossy thing together and therefore 'know' each other through that. 

This is my most worn garment I've sewn this year. I need another pair so I don't literally wear these out. I'll have to start looking around for some fabric. So - how about you? Are you going sew a pair of the Hudson Pant? 

Sunday, June 15, 2014

My French Jacket

I think last year when Melanie posted about making her French Jacket the entire blogging community went a little French Jacket crazy. I promptly bought Vogue 8804, the Claire Shaeffer French Jacket pattern, and then put the pattern away. I bought fabric for it at Christmas, courtesy of my Mum.


The pattern and the fabric sat in my pattern drawer until just after Sewjourn last December, when I saw Leith's version as a work-in-progress. Seeing her's spurred me on and, nearly six months later, I have a French Jacket.

Let's start with my muslin.


This is a terrible photo, sorry! I started with a size 12, which is my standard size in a Vogue Pattern. Overall, the fit was okay, however, I made three adjustments to get a closer fit and the look I wanted:

  1. Starting at the CB bottom, I took about 3cm in total out of the CB up until about half way up. 
  2. In the jacket side front and starting at the shoulder seam, I took about 3cm out of the princess seam, until about 10cm down (ending just above my bust). 
  3. I trimmed off the button placement allowances. I wanted it to close with hooks rather than buttons, so I just left a 1.5cm seam allowance on top of the CF.
I figured if it needed any other adjustments, I'd do them as I sewed the jacket. There were no glaring fit issues so I figured minute fitting could be done as I sewed. 

My muslin sat in a box for about two months. I just couldn't concentrate on it. Then, one day, about 2-3 months ago, WHAM! French Jacket sewing was all I could think of. 

If you follow me on Instagram, you'll have seen some progress shots. I'm going to start here with the finished shots and then show you some progress shots. I wore it for the first time to my sister's engagement party, which was last weekend. 


I wore it with a black ponte Vogue 1314 - I'll review this dress again in another post soon.


Can you tell I'm a bit pleased with it?


Those buttons. I love them. They're from Buttonmania and I want a million more.


The lining. Silk satin. Such beautiful stuff. So easy to sew for a silk.


The venue was actually so overheated that I wore the jacket for these pics and then took it off. I lovingly placed it on a table at the back of the venue and nearly had a heart attack when I went out there about an hour later to get my lippie and discovered it under about 20 jackets. I felt like doing a mother lion roar and yelling "this is my FRENCH JACKET, DON'T TOUCH IT"!!! Instead I secured it in a safer spot and went and got another champers. 

So... a few changes I made to the pattern:
  1. I didn't quilt the lining and shell fabric together for two reasons. One, I did a practice quilt on some scraps of fabric and it showed way too much on the outer of the shell. I didn't like how it looked. Two, after consulting with Leith, we both thought that in the 'Making of a Chanel Jacket' video clip on YouTube that they do not quilt the jacket in the video. That made me think that Chanel jackets are not always quilted together. 
  2. I interfaced the jacket pieces (not the sleeves) using a very soft and fine fusible interfacing. The difference to the tweed was amazing. 
  3. I reinforced the sleeve head. The tweed I used was so soft and fine that the sleeve head was collapsing on itself. 
  4. I put trim all around the bottom hem - V8804 doesn't call for that. 
  5. I put very slim shoulder pads in. Again, I think the tweed really needed them. 
Here are some progress shots:


First bit of trim I sewed on. 


Pockets completed. You hand stitch the pocket lining on. 


This is my one regret - I wish I had attached the trim on the sleeves closer to the bottom of the sleeve hem. There is a little bit too much fabric showing under the trim. 



Getting there! At this stage there no machine stitching left to do. All hems are hand stitched, all the trim is hand stitched. I loved it. To me, this project signified hand stitching, and lots of it. I wanted such a project. I really love hand stitching. It is therapeutic to me and I think achieves greater accuracy in detailed projects like this.


Final stage here. Attaching the metal chain to weight the hem. I still cannot believe how much this little chain makes a difference to the way the jacket hangs. It is not a step to be missed.

I thought I'd also include where I sourced everything from:

  1. Tweed fabric, silk-satin lining, interfacing and slim shoulder pads: Tessuti Fabrics. 
  2. Mohair braid trim: M&J Trimmings in New York. 
  3. Buttons and French Jacket hook and eyes: Buttonmania.
  4. Chain trim for hem: Clegs. 
  5. Fleece for sleeve heads: an old jumper of my daughter's. 
Finally, I used a few resources A LOT:
  1. Every single post Poppykettle wrote about making hers.
  2. Couture Sewing Techniques by Claire Shaeffer. 
  3. Goodbye Valentino's posts about making her own.
  4. A Threads article about sleeve heads that I now can't find anywhere.
  5. A bucket load of internet resources, including blogs for inspiration and tips. I looked at other sewists' versions of the French Jacket constantly, and at images of Chanel Jackets. I also constantly looked at the white version Cate Blanchett wears in Blue Jasmine after I saw the film last year. I love that white Chanel Jacket. I cannot wear white like that until Little M has moved out of home. 
So there you have it! I made a French Jacket! And I love it. I'm slightly afraid of wearing it, but plan to tomorrow to work. 


I also really want to make another jacket now too. Bellatrix, I'm looking at you....


Wednesday, June 11, 2014

Red Moneta

Like everyone else in blogland, I decided to jump on the Moneta bandwagon. I almost didn't as last year I made the Dixie DIY Ballet Dress twice. To be truthful however, I have never been super happy with either of those makes, primarily due to the skirt almost hugging my tummy. There is nowhere to hide in those dresses, especially when you've eaten. I don't like feeling like I have to suck my tummy in. So I thought I've give Moneta a shot, given it has a gathered skirt.

I REALLY should have edited this photo before uploading it. Untidy bedroom in the background ahoy!

I used a very soft cotton knit from Clegs. The pattern asks for too much fabric -  I made this out of about 1.6m of fabric.


I made a size Small, and lengthened it 2cm at the waist, and 2cm in the skirt. I did this as the cotton knit is not at all weighty, and other sewists had noted heavier knits pulled the bodice down, eliminating any need for lengthening. Obviously, I had the opposite problem. When I made my Jaywalk Moneta/V1027 mash-up, I didn't lengthen the bodice as the viscose Jaywalk fabric is quite weighty.

I also used the extra-large width at the shoulders only - using a larger shoulder width is a standard adjustment for me now.


I am pretty happy with this dress. There is one area I'm not happy with - the excess fabric in the upper-side-bust:


I've noticed this issue on almost every Moneta made up. Anyone know why this is happening? It's not enough for me to really worry about it in terms of wearability, but I am fascinated regarding why this is happening.

I've got two more of these planned. They are just so easy to wear and are a pretty cute silhouette. Are you going to get your Moneta on?

Sunday, June 8, 2014

2014 Tessuti Jaywalk Competition: My Entries

Have you or are you entering the Tessuti Jaywalk Competition this year? The day they announced the competition, I bought 6m of the lovely viscose jersey they set as the theme of the competition. It was so cheap, in a good stripe and is a beautiful quality.

I immediately wanted a tunic with the black/natural for the body and the white/natural for the sleeves. So I made one!







I really took my time matching those stripes. I used the tunic Anna drafted that I have sewn before. I love this simple little dress. I've worn it three times already and have been complimented so much. It is a great layering dress, and I'm really proud of my stripe matching.

Given I had six metres, I decided to enter twice. I decided to make more of a warm weather frock - although I can wear this with a cardigan or jacket now. For this one, I used the bodice of Colette Patterns' Moneta dress, and the skirt of Vogue 1027. I sewed elastic in the waist of this dress as it is quite heavy. I also didn't cut it on grain so that I would achieve that chevron effect.






I froze my a*s off this morning to get these shots!

I'll review the Moneta dress properly soon. I have made a bright red version with sleeves, and have encountered some fit issues that I'll discuss in that post. I'm a bit too tired to go over them now - we had my sister's engagement party on Saturday night. I danced and drank champagne until the early hours of Sunday morning and am still tired! We also got our bridesmaids' dresses sorted. It has been decided that I will make my own. I am petrified - the fabrics are from Tessuti and include silk organza. I will need your advice!!! Hope you've had a nice long weekend - I'm off to watch some Boardwalk Empire while the kiddo is at the zoo with a mate.

Sunday, May 18, 2014

Day Tripper Top by Shwin Designs

Hello! It has been a looong time between posts. It is such a crazy time of year for me at the moment. I'm lecturing again after having five years (!) off and it has thoroughly surprised me how much it is kicking my butt. Looking forward to the end of semester in two weeks!

I have been doing some sewing, just finding it hard to blog my makes. I made the Day Tripper Top by Shwin Designs about a month ago, out of a wool knit from Anna's stash that was originally from Tessuti.


I made a size small. I was pleasantly surprised that I didn't need to adjust for length. I usually do, but I really like the length of this version. It is the perfect length for wearing with my Cue work pants. In this lovely wool knit it is also a very cosy and toasty top - almost like a jumper. I am seriously lacking things like this in my wardrobe. I actually had to purchase two wool jumpers (from Elk) to assist in keeping me warm. Melbourne has just gone through a cold snap (though it is pretty warm at the moment) and I was completely freezing.
 


I like how it dips down at the back - like a mullet top!
 

I did encounter one issue. When I attached the neck band, it gaped very badly. It stood up at the shoulder seams, making it look like a bad funnel neck. The neck band is a rectangle folded in two - I think this is why. I think it needs to be shaped. To fix it, I unpicked the neck band at the shoulder seams and essentially made a dart in the fabric to contour it to my neck. This worked on the whole - there is still room for improvement though.


The sleeves and hem are finished with bands - I think this makes it look nice and professional. I was going to do a twin-stitch around the neck, sleeves and hem bands but this wool knit is quite dense and spongy so I simply did a single row of stitching to secure the seam allowance. I think it only needs one row.

I really like this top and would recommend the pattern - on the proviso that you fix the neck band. I am tempted to make another, or maybe the Perri Pullover? Hard decision.

I'm in the thick of making my French Jacket and Ruthy's engagement party dress at the moment though, so all other winter sewing is on the back burner! What are you making?